A LARGE SHEET OF MUSCLE – CURRENCY EEL

Cantus Orbis Collection

Valentina Magaletti & YPY – Kansai Bruises

Here

John Grzinich – Arbor Ventus

JPA Falzone and Morgan Evans-Weiler – Ascending Music

Zeynep Toraman – A Lifetime Of Annotations

MOPCUT – RYOK

María Valencia – Compendio de Alofonías Abisales

MOT August 1st!

Dedalus Ensemble Performing Philip Glass: Music With Changing Parts

Bob & Lila – Tracing Time

Rat Domain – Mystical Rodent Underworld Vol 1 : Warfare

Fred Elias & Buddy Sarkissian – Outtakes from Magic Fingers Play Cleopatra’s Favorites & Hellenic Near East Gems: Near Eastern Music in New England ca. 1957

Richard Youngs – Two Miles Out

Richard Youngs – Jamboree

Suba – Wayang

Thanks CS!

Toru – Rescue At SW4

‘TTT grip Reckless Records don and record collecting heavyweight Toru Yoneyama on a mad cosmic noise mission sparked off with bony dancehall and mutant tekno-electro pulses – think Conrad Schnitzler meets Jeff Mills at Heinrich Mueller’s lab afterhours, it’s that wild.

The 92 minute ‘Rescue at SW4’ is among the best of TTT’s already deadly run of ’25 so far. Toru’s eight trax take all the time needed – nearly up to 20′, and more often at least 10′ – to work out unpredictable permutations of spiny machine rhythm and rudely activated arp leads that seem to have a jazz-noise-tekno mind of their own.

An ideal case in point is the opening passage ‘052 T.HOLE’, which spends the first 10 mins coaxing analog machines to sputter like a Schnitzler-meets-Dilloway jam, overeasy on the curdled chromatic distortion, before crystallising into a gnashing dancehall and Kongo tekno drum pattern whilst the synth wheezes psychoactive spumes. The transition is as effective and it is unexpected, and sets the tone for a class session of strangely sidewinding treats.

‘BITT 35ER’ stays in the longform lane with a more direct, if wobbly, traction from the offing, recalling some noisy Drexciyan probe and Mills’ offbeat jazz-techno treks, whilst a pair of acrid palate cleansers set off a 2nd half encompassing pulsating, kosmiche dub techno noise in ‘SPKXXX042’, to Ra-esque wormholer ‘254222 BC’ resolving in coiled acid tekno, and the stewed 303 gunk of ‘052 T.HOLE (048 bottoms)’.’ (Boomkat, June 2025)

Written & produced by Toru Yoneyama
Mastered by Rei Taguchi (Saidera Mastering & Recording)

Jasmin Guffond – Muzak for the Encouragement of Unproductivity

Donato Dozzy & Sabla – Morpho

Semilanceata – Til Fæmpte Likamans Træd
Vanessa Tomlinson – To The Seafarer
Ensemble Nist-Nah – Bleed
Cyrus Pireh – Tim
MJ O’Neill – The Five Corvids Of Graeme Chapman
Marie De la Nuit – Mon Fantome
Nishimura Alimoti – Moeagaru Chukinto
Vaurien – Épicerie de garde
Roswell Sacred Harp Singers – White 288
Lugubrum – Kurlerha Omugongo
Ishome – Tshh
Jean-Marie Mercimek – Le Camion
A LARGE SHEET OF MUSCLE – HELP A CHURCH SPLIT IN HALF
Double Goocher Shop – Finding #11
Mark Maxwell – JW 4
Han – BSML
Ivan Martishchuk with Oleksa Sukhodolyak – Hutsul Kolomyika & Kozachok
Margaret Johnson – Dead Drunk Blues
Nico – Julius Caesar (Memento Hodie)
Roedelius – 384 57
Gombert / Apartment House – Tribulatione et Angustia
Blod – Vad Gör Du När Han Ljuger
Harry Taussig – Childrens’ Dance
Harry Taussig – Electric Forest, Electric Trees
Roswell Sacred Harp Singers – Weeping Mary 408

Noise Nomads

Music For A Revolution Vol 1 : Guinea’s Syliphone Recording Label (1967-1973)