February 11th, 2026

Vladislav Delay – Visa

February 10th, 2026

Catherine Christer Hennix – Selected Early Keyboard Works

February 10th, 2026

Waswaas

February 10th, 2026

Christina Kubisch & Trondheim Voices – Stromsänger

February 10th, 2026

February 9th, 2026

February 9th, 2026

February 9th, 2026

M.P. – Edits

“A benefit compilation for our dear friend Marc P.
All proceeds will go to the artist.
These are edits he’s made over the years for his own club play, not intended for sale or distribution”

February 9th, 2026

Here

February 8th, 2026

Qoso – Two

February 6th, 2026

February 6th, 2026

Infiniti – Higher

February 6th, 2026

K.A. Posse – Strikes Again

February 6th, 2026

February 6th, 2026

Qoso – Two

Tees later!

February 6th, 2026

Music For A Revolution Vol 2 : Guinea’s Syliphone Recording Label (1968-1980)

February 6th, 2026

February 5th, 2026

Jack Sheen’s Press featured in The Best Contemporary Classical Music on Bandcamp

“A few years ago I covered composer Jack Sheen’s mysteriously gripping Solo for Cello, deftly performed by Apartment House leader Anton Lukoszevieze. It’s an intensely stripped-down work of minimalism with a reduced dynamic imparted by a mute on the cello. I’ve since explored some of Sheen’s other work, all of which deliciously build music around weird bowing gestures—a kind of collection of angular sounds and phrases that almost seem like sonic detritus on their own, but which form a wonderfully odd edifice. Suddenly The Vestige, his file-swapping acousmatic project with Giuseppe Ielasi, is no longer an outlier, but part and parcel of his composed work. His instantly recognizable aesthetic has come into sharp focus for me with Press, a mesmerizing piano quintet with mutes on the string instruments, tackled with exquisite transparency by Apartment House. The 14-movement work is filled with creaky gestures akin to those on the solo cello piece, as well as some sustained tones here and there. But with multiple instruments tracing these cycling patterns, the music transmits a ghostly harmonic glow of broken, back-and-forth gestures that evokes a long row of playground swings in desperate need of oil, moving to and fro. Those gestures are in a constant state of transformation and variation, pulling the listener in and revealing hidden melodic fragments and evolving rhythms. The piano, played by Kerry Yong, dwells mostly on the periphery, dropping ominous chords and haloing the strings with sustained overtones until it seizes control in the 12th movement with an unexpected series of dark, numbing runs. The music is confounding in the best way, and the confusion it imparts has proven addictive.” Peter Margasak

February 4th, 2026

February 3rd, 2026

Via Zophian Plants

February 3rd, 2026

Michel Banabila – Through Global Frequency

February 3rd, 2026

Meryll Amp – Two Daughters

February 3rd, 2026

February 2nd, 2026

Abosahar – Ala Shat Alneel
Rick Strong – Same Old Dream
Ghédalia Tazartès – Une Voix S’En Va
Yorgos Stavridis – Squeak
John Butcher – Fragile Thread (for Eliane Radigue & Lester Young)
Anne Gillis – Itreath
Léo Dupleix with Asterales – Round Sky
Derek Baron – Our Lady of the Mississippi
Poor Isa + Evan Parker / Ingar Zach – Untitled 7
Marc Sabat / Johann Sebastian Bach – Sei Bach-Intonazioni Ia: Sonata Prima – fuga allegro
Bernard Parmegiani – Nature mêlée II
John Lely / Apartment House – Nocturne
John Cage / Apartment House – Dream
Anthony Burr & Charles Curtis – Durations 2 (1960)
Terry Jennings – For Christine Jennings
Jack Sheen & Giusseppe Ielasi – V13
Benjamin Lew – Le Parfum Du Raki
Carl Stone & Asuna – A Salsa Nocturne
Semilanceata – Til Dystra Stygia Siø
Double Goocher Shop – Finding #11
John Bisset – E E B E B B i
John Bisset – E E B E B B ii
Rhodri Davies – Yr Hen Dôn
Llio Rhydderch –Morluniau o fy Ffenest
Luc Ferrari – Far-West News Episode 3, Part 2 – September 25-30, 1998

February 1st, 2026

Here

January 31st, 2026

January 31st, 2026

January 31st, 2026

January 31st, 2026

January 31st, 2026