July 7th, 2025

John Grzinich – Arbor Ventus

July 6th, 2025

JPA Falzone and Morgan Evans-Weiler – Ascending Music

July 5th, 2025

Zeynep Toraman – A Lifetime Of Annotations

July 3rd, 2025

MOPCUT – RYOK

July 3rd, 2025

María Valencia – Compendio de Alofonías Abisales

July 3rd, 2025

MOT August 1st!

July 2nd, 2025

Dedalus Ensemble Performing Philip Glass: Music With Changing Parts

July 2nd, 2025

Bob & Lila – Tracing Time

July 2nd, 2025

Rat Domain – Mystical Rodent Underworld Vol 1 : Warfare

July 2nd, 2025

Fred Elias & Buddy Sarkissian – Outtakes from Magic Fingers Play Cleopatra’s Favorites & Hellenic Near East Gems: Near Eastern Music in New England ca. 1957

July 2nd, 2025

July 2nd, 2025

Richard Youngs – Two Miles Out

July 2nd, 2025

Richard Youngs – Jamboree

July 2nd, 2025

Suba – Wayang

June 28th, 2025

Thanks CS!

June 27th, 2025

Toru – Rescue At SW4

‘TTT grip Reckless Records don and record collecting heavyweight Toru Yoneyama on a mad cosmic noise mission sparked off with bony dancehall and mutant tekno-electro pulses – think Conrad Schnitzler meets Jeff Mills at Heinrich Mueller’s lab afterhours, it’s that wild.

The 92 minute ‘Rescue at SW4’ is among the best of TTT’s already deadly run of ’25 so far. Toru’s eight trax take all the time needed – nearly up to 20′, and more often at least 10′ – to work out unpredictable permutations of spiny machine rhythm and rudely activated arp leads that seem to have a jazz-noise-tekno mind of their own.

An ideal case in point is the opening passage ‘052 T.HOLE’, which spends the first 10 mins coaxing analog machines to sputter like a Schnitzler-meets-Dilloway jam, overeasy on the curdled chromatic distortion, before crystallising into a gnashing dancehall and Kongo tekno drum pattern whilst the synth wheezes psychoactive spumes. The transition is as effective and it is unexpected, and sets the tone for a class session of strangely sidewinding treats.

‘BITT 35ER’ stays in the longform lane with a more direct, if wobbly, traction from the offing, recalling some noisy Drexciyan probe and Mills’ offbeat jazz-techno treks, whilst a pair of acrid palate cleansers set off a 2nd half encompassing pulsating, kosmiche dub techno noise in ‘SPKXXX042’, to Ra-esque wormholer ‘254222 BC’ resolving in coiled acid tekno, and the stewed 303 gunk of ‘052 T.HOLE (048 bottoms)’.’ (Boomkat, June 2025)

Written & produced by Toru Yoneyama
Mastered by Rei Taguchi (Saidera Mastering & Recording)

June 27th, 2025

Jasmin Guffond – Muzak for the Encouragement of Unproductivity

June 27th, 2025

Donato Dozzy & Sabla – Morpho

June 25th, 2025

June 23rd, 2025

Semilanceata – Til Fæmpte Likamans Træd
Vanessa Tomlinson – To The Seafarer
Ensemble Nist-Nah – Bleed
Cyrus Pireh – Tim
MJ O’Neill – The Five Corvids Of Graeme Chapman
Marie De la Nuit – Mon Fantome
Nishimura Alimoti – Moeagaru Chukinto
Vaurien – Épicerie de garde
Roswell Sacred Harp Singers – White 288
Lugubrum – Kurlerha Omugongo
Ishome – Tshh
Jean-Marie Mercimek – Le Camion
A LARGE SHEET OF MUSCLE – HELP A CHURCH SPLIT IN HALF
Double Goocher Shop – Finding #11
Mark Maxwell – JW 4
Han – BSML
Ivan Martishchuk with Oleksa Sukhodolyak – Hutsul Kolomyika & Kozachok
Margaret Johnson – Dead Drunk Blues
Nico – Julius Caesar (Memento Hodie)
Roedelius – 384 57
Gombert / Apartment House – Tribulatione et Angustia
Blod – Vad Gör Du När Han Ljuger
Harry Taussig – Childrens’ Dance
Harry Taussig – Electric Forest, Electric Trees
Roswell Sacred Harp Singers – Weeping Mary 408

June 20th, 2025

June 19th, 2025

Noise Nomads

June 18th, 2025

Music For A Revolution Vol 1 : Guinea’s Syliphone Recording Label (1967-1973)

June 16th, 2025

[CP 115-2 CD] CP-2.6 (Sides-2 [Tape])

June 16th, 2025

Phobophlyptix

June 14th, 2025

June 13th, 2025

A LARGE SHEET OF MUSCLE – PULSE BLONDE ON BLONDE

June 13th, 2025

[CP 308 CD] Hilozoizmo [C62]

June 10th, 2025

“TTT bossman Will Bankhead back on his What We steez for a particularly mood-driven, 80 minute session of padded blue hour atmospheres – his 5th and most enchanting entry in this mode.

Nigh-on beatless for the majority, ‘Slats’ finds Bankhead taking the mantle of liminal sandman with a reliably engrossing drift that pointedly keeps it on course to blissed-out states.

Where previous mixes have traversed everything from jazz to Japanese noise and offbeat techno, this one plucks from a range of late night spells – Americana, drone, Finnish isolationism, microtonal minimalism, sludge rock, chamber folk – all simpatico to drowsy, blissed states of being.”

Thanks Boomkat!

(Boomkat sold out, copies here)

June 10th, 2025

Here